The logic of TTG
A list of the principles on which TTG is built.
Disagree with any of these principles? Speak up
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A. The world is choosing images over text
Images rather than words are increasingly used to convey messages, for numerous reasons (effectiveness, visual appeal, lack of language barriers).
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B. There will always be two popular kinds of pictures
. . . when it comes to instantly recorded visual records: “still” pictures (photos) and “moving” pictures (videos).
That’s why there’s a TTG for photos and a TTG for videos.
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C. The public will always want to know how much striking photos and videos have been changed after recording
TTG will always be there to fill that role.
The Trust Test is designed to be a universal standard for comparing an unaltered original to the published version of the same image.
Everybody likes to see pictures
Photography is a big deal
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1A. Photography will continue to matter to billions of people
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• Over the past couple of decades, photography has become the world’s most universal language (see #301–303).
• Photography is bigger than ever and continues to grow. More photographs are taken every year than the previous year, and that trend shows no sign of slowing.
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1B. It will continue to become easier to create images that look like undoctored photographs but are not
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This has been a reality since the invention of photography and has only accelerated in the age of digital manipulation and AI-GC (see #114).
Even on a basic smartphone, photographers can now perform with the swipe of a finger undetectable manipulations that 20th-century masters of the darkroom couldn’t perform in several days.
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1C. The public will trust “images that look like photographs” less in the future than in the past
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This is because of #1B (above).
#1C is the simplest way to explain why there will be a place for “a universal standard” like TTG in the future when there was no need for it in the past.
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1D. It will always be the case that people trust some photographs more than others
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• Most people will always trust their own photos more than they will trust, for example, preposterous photos posted anonymously on the Internet.
• Once it is established that “viewers trust some photos more than others,” there is a place for identifying which photos are more likely to be trustworthy (that is TTG’s role).
310-311: “Very few people trust no photos at all.”
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1E. Viewers will not be able to reliably find out “just by looking” what they want to know about the believability of “images that look like photographs”
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For viewers, photography isn’t just about “how the photo looks” anymore.
There is no longer any reliable connection between a photograph’s appearance and its trustworthiness. In the age of AI and digital manipulation, there are created every day millions of images that look like trustworthy photographs but are not.
Scrutinizing each image will not help: not one of the 9 characteristics of trusted photographs can be reliably assessed “just by looking.”
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1F. Viewers cannot expect photographers to tell them when a convincing-looking image is not an undoctored photograph
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This approach has been proposed many times over the past four decades, but it has proven to be unrealistic.
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2A. A means of identifying trustworthy photographs will benefit the larger culture, as photographs are increasingly used as a form of international communication
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Photography is now our most-universal language (see #301-303) — but the effectiveness of any language is limited if the audience doesn’t know when they can believe the message.
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2B. A means of identifying trustworthy photographs will benefit viewers who want to know which impressive images they see are undoctored photographs
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This is the case regardless of the subject of the photo: it need not be a “news” photograph for viewers to be curious.
Why do viewers want to know which photos they see are undoctored?
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2C. A means of identifying trustworthy photographs will benefit image providers who are minding their reputation
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A photograph’s impact often depends on its credibility: even the most visually compelling photo loses impact if viewers don’t believe their eyes.
As spelled out on this page, the reasoning is simple for why credibility matters to many of those who put photographs before the public:
1. You see something remarkable
2. You tell others about what you saw
3. You want them to believe you.
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Individual photographers are a primary focus of this website, but so too are third-party image providers. Photo publishers can engage with TTG on a variety of levels; see also Publishers’ rights and responsibilities.
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3A. The most-widely trusted photographs will continue to share the same characteristics
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Any standard that aims to optimize trustworthiness (like TTG does) will likely incorporate all 9 characteristics of the most-trusted photographs in the world.
It is rare to find news photographs in trusted news settings that do not fully meet all 9 requirements as spelled out in the Trust Test.
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3B. Photography will always be tied to “light”
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Most definitions of photography will always be somehow “light”-related (the word “photo” is from the Greek word for “light”).
That’s why any photo-manipulation discussion is likely to acknowledge the role of light — and it’s why TTG uses the behavior of “light” to draw the line on photo manipulation.
See also the FAQ on Light and the FAQ on AI-GC
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3C. Trusted publishers will continue to share similar standards
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While there are no specific “industry standard” specifications for things like saturation or sharpening, the degree of variation among respected information publishers is generally fairly small.
Through rinairs, TTG will always incorporate the standards of the most-trusted publishers, whoever they are at any given time.
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3D. Billions of smartphones will continue to reflect a consensus about “doctoring” photographs
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The largest smartphone manufacturers will not program as defaults any actions that would be regarded as “doctoring” by users who just want to “take a photo to show what something looks like.”
800. How TTG transfers this into the list of Allowable Changes.
1. The future of photography
2. Future needs
3. Future responses
